The copy of my article for the 2010 Philadelphia Folk Festival Program Book arrived via email. It’s a shame I couldn’t make it up to see the festival last month. The Philadelphia Folk Festival and the Philadelphia Folksong Society are historic institutions. Drawing on 25 years working in history and academic training in folklore, I can say without equivocation that the festival and its parent organization, the Folksong Society, are indeed historic. They easily pass the time test and both have had profound impacts on musicians, music lovers, folklorists, and communities throughout Southeastern Pennsylvania. Continue reading
Each summer Google directs dozens of visitors looking for information on the history of the annual Philadelphia Folk Festival. This year’s festival runs from August 20 through the 21st and the hits to my site are already picking up. Why is Google sending folks to my Web site? Because in the 1990s I covered folk music for the Philadelphia Inquirer and in advance of the 1992 festival I wrote a Sunday feature on the festival’s history and the folks behind it: The Philadelphia Folksong Society. I was finishing up my coursework at Penn at the time and I just happened to be enrolled in the now-defunct doctoral program in Folklore and Folklife. I also happened to be gearing up for the required FOLK 606: History of Folklore Studies class taught by the inimitable Dan Ben-Amos and I decided to use some of the reporting I did for the Inquirer article for one of my class papers. Since my time at Penn coincided with my early years writing about music I got to use interviews with folks like BB King and others as source material for term papers. Now that was cool.
For the Folk Festival story (and subsequent paper) I interviewed legendary Philly radio personality Gene Shay and many of the festival’s founders. I also interviewed Irish musician (and fellow Penn folklorist) Mick Moloney as well as George Britton (who died recently). Britton was a fun interview. Near the end of our interview he sang the chorus of a tune he wrote about the festival. He called the song, “Barefoot, Bearded and Bedraggled”:
I’m barefoot, bearded and bedraggled
Stoned and drunk as I can be
I’m the counterculture and I’m all folked up
This here’s my cry of liberty. Continue reading