Category Archives: Silver Spring

Observations on things where I live and work: Silver Spring, Maryland.

Acorn Park Revisited

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In 2017, I organized events aimed at persuading Montgomery County, Maryland, leaders to tell a more accurate and inclusive story in a Silver Spring park. The events generated some media buzz and I wrote several articles and a book chapter about them. In the end, though, nothing happened.

Protesting Invisibility, Acorn Urban Park, Silver Spring, Maryland, June 2017.

Or did something change?

Acorn Park and the adjacent Silver Spring Memory Wall still tell a whitewashed and exclusionary story. Nothing has changed there. But beyond the park, scholars, journalists, and residents now describe Silver Spring as a sundown suburb. Local planners have incorporated my research into new policy documents on creating equity in Montgomery County.

Earlier this year, a Baltimore planner published a podcast episode, “Story Shift: Acorn Park.”

Screenshot from Acorn Park podcast (October 2024).

Podcaster Zoe Roane-Hopkins recounted the park’s history, including its new chapters added in 2017. Her observations about the park in 2024 speak volumes to how effective my efforts were: they raised awareness, but accomplished nothing in terms of changing the narrative in the park:

In 2017, the Maryland National Capital Parks and Planning Commission was solicited in public feedback for improvements to Acorn Park and in response, local nonprofit Impact Silver Spring and showing up for racial justice, Montgomery County joined together to stage a protest at Acorn Park to highlight the continued lack of visibility for black folks through public art in the park.  They called for an increase in accurate representation in stories in public art and proposed suggestions to do this at the Acorn Park site …

… When I visited Acorn Park for this episode, there was no evidence of any moves to rewrite the narrative of this little green space to be more representative.

Zoe Roan-Hopkins, Story Shift: Acorn Park

The changes are small, but positive. Perhaps one of these days, Montgomery County will get around to scrubbing off some of the whitewash.

© 2024 D.S. Rotenstein

Are there any Black history sites in downtown Silver Spring, Md.?

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Earlier this week a Silver Spring, MD, community group hosted a virtual talk on historic preservation in Montgomery County. Eileen McGuckian (a former Historic Preservation Commission chair and president of a countywide preservation organization, Montgomery Preservation) spoke for about an hour and then took questions.

One Silver Spring resident asked McGuckian if there were any Black history sites in downtown Silver Spring. This video clip captures the exchange.

(Video clip is from the Zoom recording posted by Silver Spring Town Center, Inc.)

Spoiler alert: contrary to McGuckian’s answer, there are many Black history sites in the area covered by the question. In fact, the Montgomery County Planning Department recently released a short video about a new marker commemorating one of them:

Monochromatic

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This is rich: the local historical society responsible for whitewashing Silver Spring, Maryland’s history and creating decades of monochromatic celebratory products is angry about a property owner erasing the color from his vintage Googie building.

Memories of Silver Spring’s Doughnut Shop

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Last week, the Silver Spring Historical Society (Silver Spring, Maryland) invited its Facebook audience to share stories about a donut shop. The society (which really isn’t a society; it’s four boomer building huggers) is short on history and steeped in nostalgia that celebrates the white supremacists who “built” Silver Spring and erases Black history. This post accepts the historical society’s request for “specific memories” of the site.

Silver Spring Historical Society Facebook post, June 3, 2022. https://www.facebook.com/sshistory/posts/2274102266087989

Continue reading →

The Jerry

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I recently spent a couple of days in Silver Spring, Maryland. A filmmaker brought me back there to be interviewed for a documentary she is making about Black history in the DC suburb.

Yesterday morning I revisited Silver Spring’s “Heritage Trail” — a group of nine eight historical markers placed throughout the central business district. Researched and designed by the Silver Spring Historical Society, the markers tell a nostalgic and whitewashed version of Silver Spring’s history. That history omits Black history and it celebrates the stories of the segregationists who created dozens of residential subdivisions with racially restrictive deed covenants and who owned the downtown businesses that discriminated against Blacks.

One of the historical society’s markers is located at the corner of Georgia Avenue and Bonifant Street. Across Georgia Avenue, there is a newly opened Popeye’s Louisiana Kitchen. The restaurant opened in a storefront once occupied by a well-loved Indian restaurant.

Silver Spring Heritage Trail marker across the street from a new Popeye’s restaurant.

In 2020, when local media announced the new Popeye’s location, the president of the Silver Spring Historical Society made the rounds on social media complaining about the new restaurant. He and his classist comments quickly became fodder for Twitter ridicule.

As I was photographing the marker across from the Silver Spring Popeye’s it hit me: wouldn’t it be a terrific idea if the restaurant honored the Silver Spring Historical Society’s “contributions” by introducing a new menu item? It would be made with all white meat and served on white bread with mayonnaise. They could call it The Jerry.

Silver Spring video shorts: Acorn Park

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This is the third of three posts featuring short video segments produced over the summer for AmeriCorps. The first two covered Silver Spring’s Tastee Diner and Crivella’s Wayside Inn.

This clip features a site in Silver Spring where the community’s Jim Crow history was erased. The “Silver Spring Memory Wall” is a five-mural installation next to Acorn Park. It is the product of historic preservation and planning decisions made in the 1990s to tell Silver Spring’s history through public art.

Those murals present a nostalgic view of Silver Spring history that glosses over its decades as a sundown suburb. It also intentionally sought to ameliorate the absence of Blacks from public places in the twentieth century by replacing white people with African Americans in a depiction of Silver Spring’s train station in the 1940s.

Silver Spring Memory Wall, B&O Railroad Station mural.

Former Washington, D.C., muralist Mame Cohalan (who died in 2020) recognized that the historic photos she was using were missing Black people. She asked her Montgomery County clients for permission to add some diversity — Black people — into the artwork. The resulting mural erased Silver Spring’s Jim Crow history by inserting Black people into a place and time where they otherwise never would have been found.

1994 Montgomery County Planning Department memo asking permission to add more “cultural diversity” to Memory Wall murals.

This clip tells the Acorn Park and Silver Spring Memory Wall story.

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© 2021 D.S. Rotenstein

Silver Spring video shorts: Crivella’s Wayside Inn

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This is the second of three posts featuring short video segments produced over the summer for AmeriCorps. The first in this series featured nostalgia and Silver Spring’s Tastee Diner.

This clip visits the site where Crivella’s Wayside Inn operated for several decades in the twentieth century. In the early 1960s, its owners refused to integrate the restaurant’s dining room — even after Montgomery County enacted an open accommodations law. Years of civil rights protests and litigation ensued. Montgomery County later bought the property and demolished the building, foreclosing on opportunities to commemorate the civil rights era and Silver Spring’s Black history. County leaders could have celebrated the life of civil rights icon Roscoe Nix; instead, they rebranded the space “Bottleworks Lane” to commemorate two historic bottling plants nearby.

This clip focusing on Crivella’s tells some of this story.

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© 2021 D.S. Rotenstein

Silver Spring video shorts: The Tastee Diner

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In August I got an email from an AmeriCorps Project Change leader asking me to contribute to an upcoming training tour of Silver Spring, Maryland, for new volunteers. The project director and I spoke for about an hour and I agreed to produce three short videos about historic places in Silver Spring where history has been whitewashed.

The September 2, 2021, day-long tour wound through sites on both sides of the D.C.-Maryland line and it included stops at the Tastee Diner, the former Crivella’s Wayside Inn, and Acorn Park.

The clip focusing on the Tastee Diner contrasts the nostalgia-laden histories and historic preservation efforts that omit the popular eatery’s Jim Crow past.

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© 2021 D.S. Rotenstein

About that art

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In 2017 I was deep in oral history interviews with residents of Lyttonsville, a historically Black community in Silver Spring, Maryland. I had just organized a public event meant to draw attention to murals that erase the Black experience and uplift the stories of white supremacy.

Protesting Invisibility, Acorn Urban Park, Silver Spring, Maryland, June 2017.

Protesting Invisibility, Acorn Urban Park, Silver Spring, Maryland, June 2017.

Shortly after the event in Acorn Urban Park, a lifelong Lyttonsville resident mentioned a photo collage she saw in a Silver Spring bank branch. She asked if I had seen it and I replied that I had not. I asked her to describe it for me.

The woman explained that it showed Black folks in Silver Spring who “never existed” in her community. She said that like the murals in Acorn Park, it creates a false sense of history by placing Black people in spaces in a time when and where they never would have existed. I asked her what was so troubling about the image. She replied,

It could be [bank] is making a statement about American history in a special way.  However, it is strange to have a beautiful photo there in the midst of Silver Spring’s history.  When I went to the bank and saw it, I was shocked, but so pleased because most photos of my people are not shown in the public.

Bank photo collage, photographed in 2017.

After our initial conversation, I went to the bank to photograph the collage. After seeing it for myself, I then exchanged emails with the Lyttonsville resident who brought it to my attention:

I wish I knew who the people were because it looks like a photo from the early 1900’s.  I don’t know that the photo in that day was color.  I have seen photos of our race like this, but always black and white.  My grandmother and grandfather would have dressed like this.  So, it is authentic, but I don’t know who they are or where they are from.
Dressing up has always been very important to African Americans, until the 60’s.  Even when they were enslaved, a head covering for women was very important.  Should they have escaped to freedom, they were going to dress.  The hats in this photo are authentic and so is the pose.  This had to be a church portrait or something important connected to “family.”

There is a fine line between appropriation and celebration. Nostalgia runs deep in Silver Spring and in many communities. It’s tempting to exploit nostalgia to connect national brands with the communities where their branches are located. But what are the impacts of haphazardly selecting images and throwing them together in a visually appealing presentation that has no connection to reality or to the people in the community?

The Silver Spring Historical Society frequently posts about nostalgia-laden murals in the community.

 

White Fragility: Historic Preservation Edition

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It’s difficult to heal trauma without truth-telling. You have to uncover and acknowledge what has been done wrong before you can fully move forward. — Rev. Mark Sills, NPR, October 11, 2020.

Starting in 2016 members of the Silver Spring Historical Society (Silver Spring, Maryland) began attending my public programs (lectures, walking tours). They regularly monopolized discussion times with long-winded and disruptive comments about how their organization wasn’t racist.

In early 2018, I was invited to speak in Takoma Park, Maryland. Almost on cue, the Silver Spring Historical Society’s Marcie Stickle and Mary Reardon launched into their speeches during the Q&A. The City of Takoma Park recorded the program and posted it on YouTube. The recording captures the embodiment of white fragility in the Silver Spring Historical Society members. The clip below is from that recording.

What’s the problem with being “not racist”? It is a claim that signifies neutrality: “I am not a racist, but neither am I aggressively against racism.” But there is no neutrality in the racism struggle. — Ibram X. Kendi, How to Be an Antiracist (2019).

In my measured opinion, Silver Spring and other places like it will never heal, never move forward without community truth-telling and without abandoning the safe places where folks declare that they are not racists.