The wiretap truck

In the early 1960s, law enforcement officers from the FBI and the IRS descended on Pittsburgh to investigate organized crime figures and corrupt public officials on mob payrolls. Federal agents used confidential informants, private company records, and electronic surveillance to make cases against such mob leaders including numbers bosses Tony Grosso, Kelly Mannarino, and Meyer Sigal. They also pursued Pittsburgh police beat officers who collected payoffs for their supervisors, including Assistant Police Superintendent Lawrence J. Maloney.

Lawrence J. Maloney, pictured in 1948 when he led a special racketeering investigations unit. Source: historicpittsburgh.org.

Congress in 1965 authorized an investigation into the administrative procedures in federal agencies related to how they collect information on citizens. A subcommittee of the Senate Judiciary Committee had a $150,000 budget to investigate federal agency procedures that might imperil citizens’ constitutional rights to privacy. Continue reading

Thomas Mellon: Segregationist and White Supremacist

In 2020, public historians and preservationists were all atwitter after the Andrew W. Mellon Foundation announced the Monuments Project: a five-year, $250 million effort to create more honest commemorative landscapes in the United States. The foundation’s namesake, Andrew W. Mellon (1855-1937), was an early member of a Pittsburgh industrial and financial family whose ranks include bankers, lawyers, judges, and politicians. Andrew’s resume includes banking; distilling; and stints as the U.S Secretary of the Treasury and Ambassador to the U.K.

The Mellons and the institutions associated with them have long been hailed as cornerstones in American history. Yet, how well do the Mellons fare when their ties to slavery, segregation, and white supremacy are examined? In 2019, Inside Philanthropy explored this question in a blog post by Julie Travers:

For example, a recent $1 million grant from the Andrew W. Mellon Foundation to the College of William and Mary is one example of how a funder can approach the legacy of slavery within the humanities. It will support research and education pertaining to the college’s history with enslaved people. During my research for this article, I discovered that several Mellon family ancestors enslaved people, which raises interesting questions about how a foundation can approach this issue in its own history.

The foundation declined the blog post author’s request for comment. The philanthropy article includes some solid research, but I question why it arbitrarily limited its examination of the Mellons to slavery. What about the family’s roles in American society after the Civil War? There’s a whole lot of territory left unexplored, including mortgage lending discrimination and other structural racism reinforcing discriminatory practices that the family’s financial interests promoted.

The Mellons are American heroes. That evidence is abundantly clear in their hometown, Pittsburgh, where the commemorative landscape is filled with monuments to them: place names, a park, public art, buildings, and even a university.

In these days of truth and reconciliation, can the Andrew Mellon Foundation accomplish its goals to reshape the American commemorative landscape and “recalibrate” narratives about our shared national past without first taking ownership, telling the truth, about its namesakes? I don’t think so and one episode from the family’s history underscores why.

Andrew inherited his wealth and status from his father, Thomas Mellon (1813-1908). Thomas Mellon began his career practicing law in Pittsburgh in the 1830s. In 1859. Allegheny County residents elected Thomas Mellon as a judge in the county’s Court of Common Pleas. He served for a decade before retiring in 1869.

Shortly before Mellon left the bench, he participated in a case involving the application of an attorney who wanted to join the Allegheny County Bar to practice law in the city. George B. Vashon (1824-1878) was born in Carlisle, Pennsylvania. His father, John Vashon, had served in the War of 1812 and became a wealthy Pittsburgh entrepreneur and nationally prominent abolitionist.

Advertisement for John Vashon’s business, Pittsburgh Weekly Gazette, June 26, 1832.

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Prayer chapels

Prayer chapels. These two rural roadside buildings competed for passersby’s souls. One belongs to a church, the other was a nightclub.

two "chapels"

The church was built in 1867 and it served farmers and coal miners. The nightclub dates to at least 1931. It served the same crowd in addition to travelers and city dwellers. New owners converted the nightclub into apartments after World War II. Some locals found that very convenient.

“I got married in the church across the street and you could do your wedding over there and honeymoon across the street,” one man told me earlier this year. The life-long resident, in his eighties, quickly added, “I did not do that, but I’ve heard different ones talk about it.”

I asked another longtime resident if the nightclub across the street, with its liquor and dancing, ever caused any friction with the church. “Oh it’s Methodist. I mean we’re Methodist. We’re Scottish. We drink. We dance. It’s not like it was, you know, Baptist,” she explained.

Most folks still alive who remember the nightclub are in their eighties and nineties. They were children with children’s memories of a place they could not go to. But, they could hear the music. One man, now 80, explained, “They wouldn’t let me over there. I mean I heard the music. I went to that church, you know, that’s the church that I went to as a kid.” His family moved away when he was about eight.

The nearest city is about six miles away. For much of the time the nightclub operated, entrepreneurs from the city and another a little farther up the highway rented the building where they hosted bands and served refreshments, liquid and solid. There was dancing and some history was made. But if you’re driving down the highway, there isn’t much there now to catch your eye and your interest. Yet, if you’re persistent enough the stories will flow and the juxtaposed buildings might just inspire you to dig just a little deeper ….

© 2021 D.S. Rotenstein