Buried deep inside my recent Pittsburgh City Paper cover story is a little bit about historic preservation:

In his 1984 memoir Brothers and Keepers, John Edgar Wideman, the award-winning Pittsburgh-born author, made the prison the setting for his brother’s incarceration and a central character.

“Western Penitentiary sprouts like a giant wart from the bare, flat stretches of concrete surrounding it,” Wideman wrote. To Wideman, Western Penitentiary punished its inmates and their loved ones by dehumanizing them.

Wideman’s take on the prison captures the sentiments held by Black Pittsburghers: revulsion, not nostalgia. Compare that to the efforts by white historic preservationists who sought to protect the landmark which in 2022 was listed in the National Register of Historic Places.

The conflicting views of the impending demolition underscore the need to better understand history holistically and equitably. They also speak to how Pittsburgh preserves its Black history landmarks: the jail at one end of Wylie Ave. is a tourist attraction with a brass plaque, and the church at the other end is condemned.

The Pittsburgh preservationist who was pushing to save the former Western Penitentiary is the same one who fought to preserve the Civic Arena. Constructed in the Lower Hill District, the Civic Arena and its sprawling parking lots replaced hundreds of mostly Black owned and occupied homes, businesses, churches, and recreational spaces.

Wait, what? Yep, the same white preservationist dude who 15 years ago wanted to force the city to preserve one of the most painful reminders of urban renewal and displacement wanted to keep the hulking reminder of mass incarceration. At best, it’s tone deaf. At worst, it’s a reminder of the white supremacy and classism that continues to dominate historic preservation.

© 2024 D.S. Rotenstein