What a year. I did a lot of writing about a diverse array of subjects, including housing, social justice, orphanages, ethnic clubs, books about Pittsburgh and its suburbs, and crime — lots of crime. I had the good fortune to meet many wonderful people willing to tell me their stories. The editors who published my work helped me to bring those important stories to readers, some of whom became collaborators on future stories. None of what I accomplished in 2024 would have happened without their help.
I was humbled by the amount of trust so many people placed in me and the risks some of them took to collaborate with me to help tell their stories. One woman whose former neighborhood is being destroyed by her local government turned the tables on me in a conversation we had in August in her mother’s suburban living room.
“How did you get into doing this particular type of work,” she asked me.
“What do you mean,” I replied.
The woman explained:
She’s talked to 100 people. No one’s ever come to talk to her before. Not once. Not once, certainly not twice.
So what intrigued you to dig, to delve?
After more than 20 years of trying to get the attention of local, state, and federal officials, civil rights organizations, and journalists, I was the only reporter who didn’t walk away from her mother’s story.
The woman’s statement underscores how much my experience in public history and ethnography informs my journalism.
Off the printed page and device screens, I did several public programs, including a community history talk celebrating the South Side Carnegie Public Library branch’s centennial and two programs for the Jewish Association on Aging’s Weinberg Terrace residents.
Through Steel City Vice, my public history engagement experiment, I began leading organized crime history walking tours in Pittsburgh’s South Side neighborhood. Though the route and script were constant, each tour was different because of the people who participated. Some of the people who took the tour had family members who were in numbers gambling or themselves participated in the culture. A retired vice cop took one of the tours and added fleshed out my narratives in some colorful and unexpected ways.